Oscar and Lucinda
(eAudiobook)

Book Cover
Published
Recorded Books, Inc., 2015.
ISBN
9781490622941
Appears on list
Status
Available Online

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Physical Description
20h 30m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Peter Carey., Peter Carey|AUTHOR., & Steven Crossley|READER. (2015). Oscar and Lucinda . Recorded Books, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Peter Carey, Peter Carey|AUTHOR and Steven Crossley|READER. 2015. Oscar and Lucinda. Recorded Books, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Peter Carey, Peter Carey|AUTHOR and Steven Crossley|READER. Oscar and Lucinda Recorded Books, Inc, 2015.

MLA Citation, 9th Edition (style guide)

Peter Carey, Peter Carey|AUTHOR, and Steven Crossley|READER. Oscar and Lucinda Recorded Books, Inc., 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID8bb18df4-c33a-a21b-e9b8-920def3ce6bf-eng
Full titleoscar and lucinda
Authorcarey peter
Grouping Categorybook
Last Update2024-06-13 11:58:09AM
Last Indexed2024-06-22 00:28:33AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 7, 2024
Last UsedMay 11, 2024

Hoopla Extract Information

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    [synopsis] => Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written book, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces. Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favor of the Anglican Church. "Dear God," Oscar prays, "if it be Thy will that Thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar; in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. Neither of these coming-of-age stories quite explains how the grownup Oscar and Lucinda each develop a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances. When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness, and their awkwardly blossoming (but unexpressed) mutual affection. Their final high-stakes folly--transporting a crystal palace of a church across (literally) godforsaken terrain--strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. Yet even the unconvincing plot turns are made up for by Carey's rich prose and the tale's unpredictable outcome. Although love proves to be the ultimate gamble for Oscar and Lucinda, the story never strays too far from the terrible possibility that even the most thunderstruck lovers can remain isolated in parallel lives.
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