Graphic Women: Life Narrative And Contemporary Comics
(eBook)

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Published
Columbia University Press, 2010.
ISBN
9780231521574
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Hillary L. Chute., & Hillary L. Chute|AUTHOR. (2010). Graphic Women: Life Narrative And Contemporary Comics . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Hillary L. Chute and Hillary L. Chute|AUTHOR. 2010. Graphic Women: Life Narrative And Contemporary Comics. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Hillary L. Chute and Hillary L. Chute|AUTHOR. Graphic Women: Life Narrative And Contemporary Comics Columbia University Press, 2010.

MLA Citation, 9th Edition (style guide)

Hillary L. Chute, and Hillary L. Chute|AUTHOR. Graphic Women: Life Narrative And Contemporary Comics Columbia University Press, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID47757332-6987-e652-04c6-413af6156880-eng
Full titlegraphic women life narrative and contemporary comics
Authorchute hillary l
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-07 22:19:35PM

Book Cover Information

Image Sourcehoopla
First LoadedMay 6, 2024
Last UsedMay 7, 2024

Hoopla Extract Information

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    [synopsis] => Female cartoonists are playing a central role in the evolution of "graphic novels." Some of the most acclaimed books of the twenty-first century, such as Marjane Satrapi's Persepolis and Alison Bechdel's Fun Home, are autobiographical comics by women. Aline Kominsky-Crumb pioneered the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Satrapi experiments with visual witness to frame her personal and historical narrative, and Bechdel meticulously incorporates family documents by hand to re-present her past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.
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