Introduction: Women, comics, and the risk of representation
Scratching the surface: 'ugly' excess in Aline Kominsky-Crumb
'For all the girls when they have grown': Phoebe Gloeckner's ambivalent images
Materializing memory: Lynda Barry's One hundred demons
Graphic narrative as witness: Marjane Satrapi and the texture of retracing
Animating an archive: repetition and regeneration in Alison Bechdel's Fun home.