Mingus
(eBook)

Book Cover
Published
NBM Publishing, 2023.
ISBN
9781681123103
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Flavio Massarutto., Flavio Massarutto|AUTHOR., & Flavio Massarutto|ILLUSTRATOR. (2023). Mingus . NBM Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Flavio Massarutto, Flavio Massarutto|AUTHOR and Flavio Massarutto|ILLUSTRATOR. 2023. Mingus. NBM Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Flavio Massarutto, Flavio Massarutto|AUTHOR and Flavio Massarutto|ILLUSTRATOR. Mingus NBM Publishing, 2023.

MLA Citation, 9th Edition (style guide)

Flavio Massarutto, Flavio Massarutto|AUTHOR, and Flavio Massarutto|ILLUSTRATOR. Mingus NBM Publishing, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3ba539db-5f2f-cd75-a812-4be788601ea5-eng
Full titlemingus
Authormassarutto flavio
Grouping Categorycomic
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-07 21:57:17PM

Book Cover Information

Image Sourcehoopla
First LoadedJun 3, 2024
Last UsedJun 6, 2024

Hoopla Extract Information

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    [synopsis] => "I play what I am. I play Mingus."  Bass player and pianist, composer and band leader, Charles Mingus is universally recognized as one of the greatest musicians in the history of jazz. An overflowing talent, who experienced the last fires of the swing age, the Be Bop revolution, the experimental seasons of Third Stream and Jazz Poetry up to Free Jazz. But he was also a tormented and angry soul, a man who, due to his mestizo origins, always had to deal with the hostility of American society. Journalist Flavio Massarutto and artist Squaz (Pasquale Todisco) retrace the stages of Mingus's journey, giving life to a non-canonical biography, which proceeds in paginated episodes like a succession of passages that form a musical suite: fragments of existence told by fishing from interviews, writings, testimonies and historical facts. The portrait of a musician who is the mirror of an era comes out, of a brilliant composer who was also one of the most clearly committed artists in denouncing racism, with real manifesto pieces such as the famous Fable of Faubus denouncing the segregationist governor of Arkansas. In the words of Massarutto and in the evocative art of Squaz, which also reinterpret some of the famous covers of Mingus records, we relive the burning parable of a restless man, always in search of perfection, in constant struggle with himself and with the world: a master capable of leaving an indelible mark on the musical and cultural panorama of the twentieth century.
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