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The Cinema of George A. Romero: Knight of the Living Dead
(eBook)
Author
Published
Columbia University Press, 2015.
ISBN
9780231850759
Status
Available Online
More Details
Format
eBook
Language
English
Description
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Citations
APA Citation, 7th Edition (style guide)
Tony Williams., & Tony Williams|AUTHOR. (2015). The Cinema of George A. Romero: Knight of the Living Dead . Columbia University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Tony Williams and Tony Williams|AUTHOR. 2015. The Cinema of George A. Romero: Knight of the Living Dead. Columbia University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Tony Williams and Tony Williams|AUTHOR. The Cinema of George A. Romero: Knight of the Living Dead Columbia University Press, 2015.
MLA Citation, 9th Edition (style guide)Tony Williams, and Tony Williams|AUTHOR. The Cinema of George A. Romero: Knight of the Living Dead Columbia University Press, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouping Information
| Grouped Work ID | 741cd7b0-d7d5-d21c-a620-64f20f52e138-eng |
|---|---|
| Full title | cinema of george a romero knight of the living dead |
| Author | williams tony |
| Grouping Category | book |
| Last Update | 2024-05-15 20:01:03PM |
| Last Indexed | 2024-05-31 23:42:37PM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Apr 12, 2024 |
| Last Used | May 5, 2024 |
Hoopla Extract Information
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[synopsis] => In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models. The author explores the roots of naturalism in the work of Emile Zola and traces this through to the EC Comics of the 1950s and on to the work of Stephen King. In so doing, the book illuminates the importance of seminal Romero texts such as Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), The Dark Half (1992). This study also includes full coverage of Romero's latest feature, Bruiser (2000), as well as his screenplays and teleplays.
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